chris_headshot_drkpiano

Human freedom, compassion, musical statements

azz is one of the most vital and ever-changing musics in the world. Jazz music has continually evolved since its birth nearly one hundred ago. The music has always had the ability to cut across both national boundaries and musical genres, revealing the unity among seemingly different cultures. There is a powerful relationship between tradition -- the continuity of culture -- and creative freedom of innovation through the spirit of improvisation. I am proud and humbled to play a part in this true world music.

- Chris Bakriges

Trio, with Rich Mollin & Brian Kornfeld hits the road

Rich Mollin is a double bassist who has been headquartered at the State University of New York Oneonta campus. Mollin works with Spyro Gyra alumnae Jeremy Wall and for many years performed on Norwegian, Holland, and Carnival Cruise lines working with hundreds of headline acts. He performs with The Catskill Symphony Orchestra, Orpheus Theatre, Mask and Hammer Productions and as house Bassist with Sonart recording studios in Woodstock, NY. Drummer Brian Kornfeld is a former student of Peter Erskine, Alex Acuna, Steve Smith, Ernie Adams, Adam Nussbaum, Luis Conte and David Garibaldi. Like Mollin, Brian performed worldwide on cruise lines, in hotels, and other entertainment venues for years before diving into other aspects of the music industry.

Musician inspired by Matisse's 'Jazz'

Origionally Published Wednesday, December 16, 2009 By CORI URBAN

CHICOPEE - The sick-bed "painting with scissors" paper cut-outs French painter Henri Matisse created before his death and the text that accompanied them when they were published in 1947 inspired Elms College music lecturer and artist-in-residence Christopher G. Bakriges - a pianist, composer and educator - to create a musical reflection on the work.

"Teaching the Eye to Hear: Musical Reflections on Matisse's 'Jazz'" is Bakriges' musical interpretation of the artist's visual images. His son, violinist David C. Bakriges, is featured on the CD.

The series of 20 Matisse plates, collectively called "Jazz," "really stimulated me to look at his composition, form and color and really respond to that in a musical way," Bakriges said. "I could see what he was doing in my mind's eye and really respond to it musically."