CV/Resume
CHRISTOPHER G. BAKRIGES
37 Heartwood Lane, Whitingham, VT 05361Telephone: 802-368-7217This e-mail address is being protected from spambots. You need JavaScript enabled to view it
AREAS OF CONCENTRATION
Jazz (musicianship, theory, arranging, history, ensemble, performance), piano, M.I.D.I.
World Music, Ethnomusicology (transcription, analysis, field/lab methods, area studies)
American and non-Western Music History, Modernism, Traditional, Ethnic and Popular Music
EDUCATION
Ph.D. | Musicology/Ethnomusicology. York University, Toronto, Ontario - June 2001
M.A. | World Music Program/Ethnomusicology. Wesleyan University, Middletown, CT - May 1995
M.A. | International Politics and Economics. University of Detroit, Detroit, MI - May 1984
B.A. | Honors College, University of Detroit - May 1980
ADDITIONAL STUDIES
Professional Development Workshop for Composers, American Composers Orchestra, New York, NY- | 06/12
Adventures in Sound Play: Creativity Workshop with Paul Winter, Rowe Conference Center, Rowe, MA- | 06/12
Jazz at Lincoln Center, Band Director's Academy, New York, NY- | 06/11
Institute on Pedagogies of World Music Theories, University of Colorado, Boulder, CO - | 07/10
Thomas A. Dorsey Gospel Institute, New England Conservatory of Music, Boston, MA- | 08/07
Classes in Conducting Gospel Choirs, Accompanying, Music Theory, & Vocal- Technique
Teacher Training Track, International Association of Jazz Educators, Manhattan, KS- | 01/01
Jazz in America: The National Jazz Curriculum, University of Southern-California
College of Saint Rose, Albany, New York | 08/92-05/93
Courses in orchestration, arranging, improvisation, big band, & studio sound- recording
University of Massachusetts, Jazz in July Program. Amherst, Massachusetts- | 07/90, 07/91
Studies with Billy Taylor, Fred Tillis, Max Roach and Victor Gaskin
Manhattan School of Music. New York, New York | 06/89-08/89
Studies with Harold Danko and Jaki Byard
Bennington College, Bennington, Vermont | 08/84-05/87
Coursework with Joel Chadabe in computer music and Bill Dixon in creative improvisational music
State University of New York @ Albany, New York | 08/85-05/87
Graduate work in international relations at Rockefeller College of Public Affairs
EMPLOYMENT HISTORY: ACADEMIC/ADMINISTRATIVE
Massachusetts College of Art and Design [MassArt] | Spring 2013 Adjunct professor teaching The World of Music
Elms College, Chicopee, Massachusetts | 1/03-present
Lecturer in Music/Artist-in-Residence, Division of Arts and Humanities
Teaching Music Appreciation, Fundamentals/Theory, Ensembles, World Music, Jazz History: America's Music in Global Context, Applied and Group Piano, Great Composers: Approaches to Creativity; Assist with advisement and development of academic minor-curriculum
The Putney School, Putney, Vermont| 6/09-present Jazz Instructor Teaching jazz theory, beginning jazz combo, advanced ensemble, and applied piano in an independent, co-educational, college-prepatory high school
Concord Conservatory of Music, Concord,- Massachusetts| 6/09-6/10 Faculty, Jazz Piano, Theory, and Musicianship Initiate jazz curriculum and conservatory theory program; Assist with keyboard core content standards
Hilltown Cooperative Charter School, Haydenville, Mass.- | 10/05-6/07
Music Consultant, 7-8th grade classes integrative arts curriculum.
Topics include: Music of Worship, Music of Belief; Art and Culture in Ancient- Mesopotamia, Greece, and Rome; African American Freedom Songs; Native American Music- and Dance; Life Force Music: Reggae, Tropicalia, Rai, Morna, Qawalli, Blues; Early-America's Hit Parade; also direct student cross-cultural- ensemble
National Guitar Workshop, Litchfield, Connecticut- | 7/04-7/06
Summer Program Faculty, Keyboard Division.
Teaching Keyboard Intensive Seminar blues/jazz/classical piano, theory,- improvisation, arranging and synthesis
Castleton State College, Castleton, Vermont |- 9/03-5/04
Adjunct Faculty, Division of Fine Arts
Teaching Jazz Big Band, Music Appreciation, Improvisation, and Jazz- Vocal
Community College of Vermont, Bennington, Vermont- | 9/03-12/03
Adjunct Faculty, Division of Performing Arts
Teaching course in Music Cultures of the World
Halifax School, Halifax, Vermont | 5/03-6/03
Tutor with Special Needs Student
Southwest Supervisory Union, Wilmington, Vermont- | 1/03-6/03
Substitute Teacher, Whitingham School, Whitingham, Vermont
Teaching in all subject areas including SPED and Reach Programs
Keene State College, Keene, New Hampshire | 9/98-1/03
Operations Coordinator, Office of Student Affairs
Coordinate daily operations of the student center, including programming events,- event management, facilities scheduling, staff training, and provide technical- support services (sound, lighting, video/overhead/LCD projection, set-up and strike,- etc.)
International Association of Jazz Educators, Conference Liaison, New York, N.Y.- | 1/98
Facilitate Women in Jazz, Young Talent, and Community College- ensembles
York University | 6/97-5/98
Teaching Assistant in Music / African American Popular Music
Grader/Marker in Social Sciences / Music and Society
Research Assistant in Music / Early Jazz History and Repertory Studies
9/96-5/97
Teaching Assistant in Fine Arts / Arts and Ideas
Grader / Marker in Social Sciences / Music and Society
Graduate Assistant in Music / Popular Music Post World War II
Reference Clerk / Sound and Moving Image Library
Clinician-Lecturer / Jazz Ensemble and Jazz History. Arts Education- Center.
North York Board of Education (Music Education, Special- Services)
5/96-11/96
Local Arrangements and Planning Committee Assistant
Society for Ethnomusicology
Annual meeting hosted jointly by York University and University of- Toronto
9/95-8/96
Research Assistant in Music / creating an American popular music- database
Teaching Assistant in Music / Jazz History and Repertory Studies
Grader/Marker in Music / Musical Perception
Graduate Assistant in Music / The World of Music
Wesleyan University | 9/93-5/95
Instructor in Music / Jazz Ensemble
Teaching Assistant / Worlds of Music
Research Assistant / World Music Instrument Collection.
Oversee aspects of collection of historical instruments; participate in research,- education, outreach, and external relations programs
Northfield Mount Herman School, Northfield, Massachusetts- | 1991-1993
Periodic Clinician-Special Lecturer / Methods and Materials in Jazz- Improvisation
The College of Saint Rose, Albany, New York- | 7/92-7/93
Coordinator of International Programs, Office of Academic Affairs
Act as chief international education officer, reporting directly to the Academic- Vice President. Coordinate programs for international students, scholars and faculty- including orientation, processing of visas and immigration documentation; advise- students on international education options; administer study abroad programs; advise- deans and vice president on all matters relating to internationalization of the- curriculum; supervise international student associations; provide cultural- programming for the campus; write/edit publications; coach NCAA Division II tennis- team
National Jazz Service Organization, Committee Member
New England Conservatory, Boston, Massachusetts
Ad-hoc committee spearheading community-based initiatives in jazz programming in New- England schools, local artist funding and professional development strategies
Simon's Rock of Bard College, Great Barrington,- Massachusetts | 1992
Director of Programs and Activities, Dormitory Residence Director
Live-in, full-time professional staff with the Office of Student Services,- reporting directly to the Dean of Students. Formulate and administer extra-curricular- programs and activities for campus and Berkshire community; manage co-ed dormitories,- including an international population; coordinate emergency services; write/edit- publications; coach New England Athletic Association tennis team
Tutorial Instructor in Music / Jazz Piano and Electronic Music
State University of New York @ Albany | 8/85-5/87
Teaching Assistant / Comparative Political Systems and Public Policy
Teaching Associate / Introduction to Political Science
Bennington College, Bennington, Vermont | 9/84-8/87
Assistant Dean and Associate Director of Student Affairs
Provide supervision and direction for the departments of Residential Life and Student- Activities, reporting directly to the Dean of Students. Direct all aspects of student- life (e.g. residential living, athletics, intramural programs, intercollegiate- activities including social clubs and special events); write/edit calendar of events- and student handbook; coordinate emergency services; advise international students;- assist student adjudication processes; scheduling facilities; coach Independent- Division tennis team)
GRANTS/HONORS/AWARDS (1991-present):
| 2012 Bursary to Rowe Conference Center, Rowe, MA | |||||||||||||
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2011 2010 |
Calvin Grant, Artist-In-Residence with the Oikos Ensemble, Missouri Mid-South Conference, UCC Arts and Imagination Initiative Arts & Humanities Professional Development Award & Academic Affairs Bursary to University of Colorado Boulder, CO; Milton Keynes, United Kingdom; West Long Branch, NJ; Elms College |
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| 2008 | ARSC Book Award, Sound Research | ||||||||||||
| 2008 | Faculty Bursary to Denver, CO; Elms College | ||||||||||||
| 2007 | Worldfest Houston Film Festival Platinum Remi Award | ||||||||||||
| 2006 | Faculty Bursary to New York; Elms College | ||||||||||||
| 2004 | Faculty Bursary to Gloucester, U.K.; Elms College | ||||||||||||
| 2003 | Faculty Prof. Dev. Bursary to New York; Castleton State- College | ||||||||||||
| 2000 | Prof. Dev. Bursary to The Czech Republic; York University | ||||||||||||
| 1997 | Faculty of Graduate Studies Fieldwork Grant; York- University | ||||||||||||
| 1997 (also 1995, 1996) |
International Student Merit Scholarship; York University | ||||||||||||
| 1996 | Graduate Studies Development Grant Paris, France; York- University | ||||||||||||
| 1992 | Artist Award, Indian Council for Cultural Relations, Delhi,- India Recipient, Meet the Composer Grant. Composer's Performance- Fund. N.Y. |
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| 1991 | Recipient, Philip Morris International Performance Arts Grant. Istanbul,- Turkey Recipient, New York State Decentralization Arts Grant. Poughkeepsie, N.Y. |
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PUBLICATIONS
CULTURAL DISPERION, CULTURAL CREATION: AFRICAN AMERICAN JAZZ MUSICIANS IN EUROPE FROM BECHET TO BRAXTON
"Cross the Water Blues": African American Music in Europe. ed. Neil Wynn.
University Press of Mississippi (2007) ISBN: 1578069602
NOT THINKING IN JAZZ: MUSICAL & EXTRAMUSICAL METHODS & MATERIALS IN THE WORK OF CONTEMPORARY AFRICAN AMERICAN ARTISTS
Reassessing the Modern, Modernity and Modernism.' PDF format (2006)
http://media.schoolofvisualarts.edu/sva/media/1403/large/Proceedings2006.pdf
THIS MUSIC IS CLIMATE CONTROLLED: CRITICAL REACTION TO POST WAR JAZZ
The Source: Challenging Jazz Criticism. United Kingdom: Leeds College of Music. Journal Issue #2. (2005) ISSN: 17405777
AFRICAN AMERICAN AVANT-GARDISM AND NEW JAZZ CRITICISM
International Association of Jazz Educators Conference, New York, New York. Vol. 24, Jazz Research Proceedings Yearbook, International Association of Jazz Educators, Manhattan, KS (2004)
MUSICAL TRANSCULTURATION: FROM AFRICAN AMERICAN AVANT-GARDE JAZZ TO EUROPEAN CREATIVE IMPROVISATION, 1962-1981
Jazz Planet: Transnational Studies of the '˜Sound of Surprise,' ed. E. Taylor Atkins. University Press of Mississippi (2003) ISBN: 1578066093
AFRICAN AMERICAN MUSICAL AVANT-GARDISM
York University Libraries, Toronto, ON M3J-1P3. ISBN 0612679047. OCLC 52685618 (2001)
EVENT AS CULTURE CAPITAL: THE OCTOBER REVOLUTION IN JAZZ AND THE FORMATION OF THE JAZZ COMPOSERS GUILD. Wesleyan University Olin Library, Middletown, CT (1995, 2004) ML3508.B34
PRESENTATIONS/ PAPERS/WORKSHOPS (SINCE 1993)
THE HISTORICALLY SACRED SIDE OF JAZZ Eden Seminary, St. Louis, MO
EXPLORING THE INTERSECTION OF MATHEMATICS AND MUSIC: A LABORARY STYLE INVESTIGATION INTO HOW THE MATHEMATICS OF SINUSOIDAL FUNCTIONS IS USED TO VISUALIZE MUSICAL CONCEPTS The Putney School Academic Projects, Putney, VT
IMAGINATION, CREATIVITY, AND THE ARTS UCC Annual Conference, Drury University, Springfield, MO
STOKING THE CREATIVE FIRES: IN CONVERSATION WITH PHIL COUSINEAU
Creativity and Faith Engaged, Eden Seminary, St. Louis, MO
SITUATING AFRICAN AMERICAN JAZZ MUSIC IN EUROPE
Jazz and Race, Past and Present Conference, The Open University, Milton Keynes, UK
THEORIZING AN AFRICAN AMERICAN MUSICAL AVANT-GARDE: Dedicated to Bill Dixon (1925-2010)
Conference Examining Race in the 21st Century, Monmouth University, West Long Branch, NJ' CROSS SECTIONS: IMPROVISATION AND GLOBAL THEMES IN JAZZ Institute on the Pedagogies of World Music Theories, University of Colorado, Boulder, CO
Research mention in Analyzing musics, understanding music: Creative work and production line (创与作) Jazz Lesson. http://analyzing-music-understanding-musics.blogspot.com/
by Dr. Eddy Chong (http://eddychong.myplace.nie.edu.sg/), National Institute of Education, Music Unit, Singapore. http://www.vpa.nie.edu.sg/music/eddychong/index.htm
REASSESSING THE CULTURAL AND MUSICAL LEGACY OF HENRY PURCELL'S DIDO AND AENEAS Co-sponsored by Arts/Humanities Division & Intercultural Affairs, Elms College, Chicopee, MA.
TEACHING THE EYE TO HEAR: MUSICAL REFLECTIONS ON MATISSE'S JAZZ
Brooks Memorial Library, Brattleboro, VT ' WADING IN MUDDY WATERS, SWIMMING UP CLEAR STREAMS: CELEBRATING THE SPIRITUAL AND THE BLUES
Duffy Dance Ensemble. Ohio Theatre-Playhouse Square, Cleveland, OH ' SPIRITUALS SACRED AND SECULAR
Motown Review. Cleveland Skating Club. Cleveland, OH
MAKING JAZZ FRENCH: AMERICAN MUSIC'S INTERNCONTINENTAL PILGRIMAGE Concord Conservatory of Music Faculty Recital Series, Concord Library, Concord, MA
Research mention in The Excelsior Profile Series of American Composers: The Music of Anthony Braxton, by Mike Heffley. Zinn Publishing Group, New York, 1996. ISBN: 0-935016-18-X
THE JAZZ IMAGINATION 2009 PIM Retreat (Persons in Ministry) The Resort at Port Arrow Head, Lake of the Ozarks, MO
UBUNTU: THE SOUNDS, COLORS, CULTURES AND AGES OF JAZZ New Haven Jazz Festival 2009, New Haven, CT
Research mention by Edward Komara, Association for Recorded Sound Collections Journal ISSN: 0004-5438 Review, March 22, 2009
Research mention in How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom by Roberta Freund Schwartz. ISBN 978-0-7546-5580-0 Aldershot, Hants, England; Burlington, VT: Ashgate Publishing, 2007
Research mention in British Jazz Voices: Crossing Borders of Race, Nation and Class, by Hillary Moore. ISBN 0754657442, 9780754657446. U.K.: Ashgate Books, 2008.
' DESCRIBING MUSIC: CREATING SONIC ENVIRONMENTS AND RITUAL SPACES
' ORDER AND BALANCE IN MUSIC OF THE ANTIQUITY
' HE WHO CONTROLS THE PAST CONTROLS THE FUTURE': HISTORICAL APPROACHES TO MUSICAL STYLE AND BIOGRAPHY
' ALTERITY: CASE STUDIES IN MUSICAL 'OTHERNESS'
' COMMUNAL CREATION: THE RELATIONSHIP BETWEEN COGNITION AND PEDAGOGY
' SAYING SOMETHING: HOW ROCK N' ROLL SHAPED A NEW KIND OF CULTURAL REVOLUTION
Great Composers Colloquia, Elms College, Arts and Humanities Division, Chicopee, Massachusetts
IMPROVISATION & IDENTITY: DISCOVERING SELF AND COMMUNITY IN A TRANS-CULTURAL AGE
International Society of Improvised Music Conference, Lamont School of Music, University of Denver, CO
HOW A DRUM CIRCLE WORKS AT POWWOWS
The Hundredth Monkey Spiritual Center, Wilmington, VT
THE WORLD OF MUSIC: HOW CULTURES IMPROVISE
United Theological Seminary of the Twin Cities. Graduate Course: Spirituality & the Arts, New Brighton, MN
THE SPIRITUAL AND THE MUSIC OF MOTOWN: UNIVERSAL MESSAGES
Sponsored by The United Black Fund of Greater Cleveland and American Legacy Magazine. Ohio Theatre, Playhouse Square. The DuffyLit Ensemble, Rollo Dilworth Conductor. Cleveland, OH
RESEARCH CONTRIBUTOR, Four Parts, No Waiting: A Social History of American Barbershop Harmony, Gage Averill. American Musicspheres Series. New York: Oxford University Press, 2003 ISBN 0195116720
MUSIC AND MEMORY
Southeast Association Colorado Conference, UCC, Colorado Springs, CO
PIANO JAZZ: IN CONVERSATION AND PERFORMANCE WITH BILL CARTER
Filmed by UCC Ministry of Imagination, Creativity & the Arts, Amistad Chapel, Cleveland, OH
DANCING IN THE STREETS: DETROIT AND MY LIFE IN IMPROVISATION
Southeast Association Wisconsin UCC, South Milwaukee, WI
DOOR TO THE DIVINE: SOUNDSCAPES IN WORLD RELIGIONS
Conference on Imagination, Creativity and the Arts, UCC New Jersey Association, Central Atlantic Conference, Summit, NJ
IMPROVISATION IN THE COMPOSING OF MUSIC
Conference on Imagination, Creativity and the Arts, UCC New Jersey Association, Central Atlantic Conference, Summit, NJ
NOT THINKING IN JAZZ: MUSICAL & EXTRAMUSICAL METHODS & MATERIALS IN THE WORK OF CONTEMPORARY AFRICAN AMERICAN ARTISTS
[Primary Subjects: Cecil Taylor, Ornette Coleman, Yusef Lateef, and Wadada Leo Smith] Reassessing the Modern, Modernity and Modernism' Twentieth Annual National Conference on Liberal Arts and the Education of Artists. School of Visual Arts, New York, NY
BLUES SPIRIT: J.C. HANDY'S VIEWS ON ORIGINS OF A MUSIC AS EMOTION, SCALE, AND FORM
Workshop for West Coast Seminarians Forum, National UCC Headquarters, Cleveland, OH
DANCING WITH THE SPIRITS
Improv Workshop for Central Pacific Conference Spring Assembly of the UCC, Vancouver, WA
THELONIOUS MONK IN EUROPE
Colloquium. Department of Music, University of Nebraska, Lincoln, NB
OLD AND NEW DREAMS: JAZZ STYLES AND PERFORMANCE PRACTICE IN THE POST BOP ERA
University of Nebraska-Lincoln student chapter of the International Association of Jazz Educators, Lincoln, NB
SWING, SWING, SWING: JAZZ MUSIC, DANCE, AND POETRY (1-6 GRADE)
Black History Month Lecture/Demonstration, St. Thomas Day School, New Haven, CT
SCHOOL DAZE: WHAT TO LISTEN FOR IN JAZZ (1-6 GRADE), ROMARE BEARDEN DEDICATION
Black History Month Lecture/Demonstration, St. Thomas Day School, New Haven, CT
THE HILLS ARE ALIVE W/ THE SOUND OF MUSIC: ORGANOLOGY IN THE SPHERE OF FIELDWORK
Introduction to the Arts, Elms College, Arts and Humanities Division, Chicopee, Massachusetts
THE NATURE OF MUSICAL CHANGE IN ETHNOMUSICOLOGICAL SCHOLARSHIP
Colloquium, presented jointly to the departments of musicology, American studies, and African and Afro-American studies, Brandeis University, Waltham, Massachusetts
' UNIVERSAL BLUES: SEVDAH, SAUDADE, FLAMENCO, BOSSA NOVA, FADO
' FOLK USAGE AND POPULAR MUSIC: CONSIDERING GAETANO VELOSO AND PAUL McCARTNEY
' VERNACULAR USAGE AND POPULAR MUSIC: THE WORK OF THE BROTHERS SABRI AND BALFA
' BETWEEN THE SACRED AND THE SECULAR: HILDEGARD OF BINGEN AND SUSANNA BACA
' COMMERCIAL USAGE AND POPULAR MUSIC: ALICIA KEYS, USHER AND 3 MILLION WEB HITS
Great Composers Colloquia, Elms College, Arts and Humanities Division, Chicopee, Massachusetts
EXPATRIATION, CHOSEN EXILE, AND MUSICAL TRANSCULTURATION: AFRICAN AMERICAN JAZZ AMERICAN MUSICIANS IN EUROPE FROM BECHET TO BRAXTON
Conference sponsored by University of Gloucestershire, in conjunction with the European Blues Association, 2004
AFRICAN AMERICAN AVANT-GARDISM AND NEW JAZZ CRITICISM
International Association of Jazz Educators Conference, New York, New York, 2004
MODERATOR, America Wins Again: Ken Burns and the Institutionalization of Jazz History.
Symposium on the Music of Makanda Ken McIntyre. New England Conservatory, 2002
EXODUS TO EUROPE: OVERVIEW OF AFRICAN AMERICAN DISCOGRAPHICAL MOVEMENT OUTSIDE THE U.S.
International Jazz Education Conference,' Re-defining Music: Jazz in Europe,' Leeds College of Music, Leeds, United Kingdom
THEMATIC DEVELOPMENT IN LESTER YOUNG'S SOLO ON "OH, LADY BE GOOD"
Vermont Jazz Center, Brattleboro, Vermont
THELONIOUS MONK'S COMPOSITIONAL MANIPULATION OF POPULAR SONG FORM
Brattleboro Music School, Brattleboro, Vermont
THE AFRICAN AMERICAN CONTRIBUTION TO AMERICAN POPULAR SONG
Memorial Hall Center for the Arts, Wilmington, Vermont
AFRICAN AMERICAN INNOVATION AND NEW JAZZ CRITICISM
Leeds International Jazz Conference, Leeds College of Music, Leeds, United Kingdom
The Devil's Music:' THE RECEPTION OF JAZZ IN AMERICA
Fine Arts Division, Highline Community College, Seattle, Washington
"...we had ideas about Africanizing the 12-tone row":
THE IDIOMATIC TRANSFORMATION OF THELONIOUS MONK'S 'œEPISTROPHY' IN EUROPE
The College Music Society, Northeast Chapter Meeting, Crane School of Music, S.U.N.Y. Potsdam
CONCEPTUALIZING THE AVANT-GARDE IN AFRICAN AMERICAN EXPRESSIVE CULTURE
Colloquium, 'œJazz in Europe,' Charles University, Prague, The Czech Republic
READER/EDITOR, Dixonia: The Bio-Discography of Bill Dixon, Benjamin Young.
Westport, Connecticut: Greenwood Press, 1998
THE AFRICAN AMERICAN CONTRIBUTION TO CREATIVE IMPROVISATIONAL MUSIC IN EUROPE: AN ESSAY IN HONOR OF THE 30th ANNIVERSARY OF HOLLAND'S INSTANT COMPOSERS POOL
Colloquium, 5th Guelph Jazz Festival, School of Literatures and Performance Studies in English.
JAZZ AND THE SEVEN-YEAR ITCH: A CENTURY OF CHANGE
Glendon College, Living and Learning in Retirement/'Performing Arts in Toronto'
CULTURE JAZZ: THE TRANSMISSION AND RECEPTION OF AFRICAN AMERICAN
AVANT-GARDE MUSIC IN EUROPE
Indiana University of Pennsylvania/Sydney Bechet World Music Symposium
NOTIONS OF THE NEW: THE INCURSION OF NEW BLACK MUSIC IN EUROPE
University of Michigan/Music and Dance of Africa and the Diaspora
THE MUSIC OF BILL DIXON AND ANTHONY BRAXTON
York University/Dacary Hall Lecture Series
INVENTING THE HERITAGE OF HARMONY: CONSTRUCTIONS OF RACE, ETHNICITY AND NATION IN THE SOCIETY FOR THE PRESERVATION AND ENCOURAGEMENT OF BARBERSHOP QUARTET SINGING IN AMERICA (S.P.E.B.Q.S.A.)
York University, Division of Social Anthropology/'Ethnicity and Nationalism'
BLACK MUSIC AS DOUBLE DIASPORA: PRECURSORS TO THE 'œNEW THING'S DISPERSION ABROAD
Sorbonne, University of Paris/Conference on the Legacy of African American Music in Europe
(co-sponsored by The University of Paris and Harvard University)
"I want them to be clear shapes with a life of their own:'
ON JUDITH DUNN AND THE BLACK CONTRIBUTION TO MODERN AMERICAN DANCE
Pomona College/Black Music and Dance Conference: An Integrated Approach
JAZZ IN SOUTH AFRICA: MARABI STYLE AND ITS JAZZ ANTECEDENTS
York University Graduate Music Program/'African Music'
THE SEMIOTICS OF ALBUM COVER ART: ESPERANTO RECORDS AND THE NEW JAZZ
York University Graduate Music Program/'Problems and Methods'
THE OCTOBER REVOLUTION IN JAZZ: CRITICAL REACTION TO THE 'œNEW THING'
Wesleyan University World Music Colloquium
THEORIES OF ETHNICITY AND ETHNIC CONTENT IN BARBERSHOP SINGING
Wesleyan University Ethnomusicology Colloquium
MUSIC AS NIHILISM/MUSIC AS SECESSIONISM/MUSIC AS
BLACK REVOLUTIONARY NATIONALISM
Wesleyan University Graduate Studies Program/'Sixties Movements'
SHIFTING MODERNIST IMPULSES IN JAZZ
Wesleyan University Program in Intercultural Studies
THEORIES OF AKAN IN AFRICAN AMERICAN EXPRESSIVE CULTURE
Wesleyan University Program in Intercultural Studies
SURVEY OF DEVELOPMENTS IN MODERN JAZZ
Bennington College Music Division/'The Music of Bill Dixon'
READER/EDITOR, The Musical World of Anthony Braxton, Michael Heffley.
Westport, Connecticut: Greenwood Press, 1996
TRANSCRIBER, Saxophone Styles, David Bond. Masters Thesis, Tufts University, 1995
Musical transcription of solos by Coleman Hawkins, Lester Young, and Ornette Coleman
FRAMING THE REVOLUTION: THE OCTOBER REVOLUTION IN JAZZ
Produced for WESU Radio, Middletown, Connecticut/'Crosscurrents'
AESTHETIC CONVERGENCE: BLACK MUSICAL VANGUARDISM AND THE GENESIS OF CREATIVE IMPROVISATIONAL MUSIC IN EUROPE
Produced for WCRT Radio, Toronto, Ontario/'Global Music Perspectives
EMPLOYMENT HISTORY: MUSIC 1990-PRESENT (Selected)
| 2012 | |
New York: Carlysle Hotel, New York City; Grace Cathedral, Harlem
Massachusetts: Nick's Bar & Cabaret, Worcester
Vermont: Seasons, Manchester Center; Stratton Mountain Resort, Stratton; Walkover Gallery, Bristol; School For International Training, Brattleboro; The Putney School, Putney; Middlebury College, Middlebury; Ponce Bistro, Manchester; Equinox Hotel & Resort, Manchester Ctr.; Brandon Music Series, Brandon
New Hampshire: Keene State College, Keene; NH Jazz Center, Laconia; Studio 99, Nashua
| 2011 | |
| Arlington Inn, Arlington, VT; Port Jefferson Jazz Concerts, Port Jefferson, NY; SUNY Oneonta, NY; Pilgrim Church, St. Louis, MO; Trinity Cathedral, St. Louis, MO; Dover UCC, Westlake, OH; Oakville UCC, Oakville, MO; Columbia UCC, Columbia, MO; Pilgrim UCC, St. Louis, MO; St. Paul Oakville, St. Louis, MO; Trinity Church, Cleveland, OH; Dover Church, Westlake, OH; St. John UCC, Manchester, MO; New Hampshire Jazz Center, Laconia, NH; Miles’ Jazz Café, New York, NY; Hope Church, St. Louis, MO; Vernissage Jazz Series, Brookline, MA; Tri-C Jazz Festival, Cleveland, OH; Fat Spy Tavern, Stratton, VT; Elliot Street Café, Brattleboro, VT; Season’s, Manchester, VT; Tabernacle Church, Salem, MA; St. Paul’s Cathedral, Boston, MA; OpenSpirit Gallery, Natick, MA; 1st Congregational Church, Columbia, MO; Central Church, Jefferson City, MO; Eden Seminary, St. Louis, MO; Avon Lake Performing Arts Center, Avon Lake, OH; Drury University, Springfield, MO | |
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| 1993 | Pianist, Anthony Braxton Orchestra |
| 1995 | Accompanist, Mickey Davidson Jazz Dance Workshop. Middletown,- Connecticut |
| 1992 | Musical Director, 'œJazz Alive.' Live- performance broadcast, Northeast Public Radio, Albany, NY |
| 1993 | Leader, 8th International Jazz Yatra Festival, India; touring Bombay, Delhi,- Goa and Bangalore |
| 1991 | Leader, International Arts Festival. Istanbul, Turkey |
| Music Ministry, Arts Residency. United Church of Christ. Monterey, MA | |
| 1990 | Project Coordinator, Simon's Rock of Bard College Jazz- Ensemble. Great Barrington, MA Performance Tours in Asia and Mediterranean |
MEMBERSHIPS
The College Music Society (CMS)
Jazz Education Network (JEN)
Society for Ethnomusicology (SEM)
European Jazz Research Network, Prague Conservatory of Music, Czech Republic
Arabic Music Network
International Society of Improvised Music (ISIM)
International Jazz Federation (IJF)
LANGUAGES
' Modern Greek
' Chinese (Mandarin)
' Spanish (Caribbean)
MENTORS
Piano:
Clela Pryor, DeWard Johnson Jr., Earl Van Dyke, Nadi Qamar (aka Spaulding Givins), Harold Danko, Jaki Byard, Billy Taylor, Frederick Simmons, Oscar Peterson
Composition:
Jimmy Guiffre, Alvin Lucier, Anthony Braxton, James Tenney
World Music Scholarship:
David McAllester, Mark Slobin, Su Zheng, Gage Averill, Robert Witmer, Brenda Romero, Beverly Diamond
African: Atta Anan Mensah
North Indian (Hindustani): Pandit Sushil Mukherje
South Indian (Carnatic): Vidwan Sri Ramnad Raghavan, Tanjore Vishwanathan, Sarah Morelli
Indonesia: I.M. Harjito, Sumarsam, Paul Humphreys, Victoria Levine, Aloysius Suwardi
Arabic: Munir Beken, Frederick Elias, Costas Maniatakos, Michael Gregiann
MUSICAL EXPERIENCE Highlight performances with:
Saxophonists |
Bassists |
Drummers |
Guitarists |
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Cliff Aerie Russ Gershon Keith Pray Kurtis Rivers Allen Won
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Michael Bates (CAN) Glen Holmes John Hunter Michael Logan Greg Loughman Marcus McLaurine Lello Mollinari Nathan Santos David Shaich Christopher Dean Sullivan Brian Thomas Dave Troncoso |
Pheeroan AkLaf Paul Garretson Kyle Honeycutt Randy Kaye Brian Kornfeld Marty Morrison Phil Neighbors Karnell Robinson Steve Rose Aaron Scott Dean Sharp Michael T.A. Thompson |
Carey DeNigris Lou Erlanger Scott Sasanecki
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Trumpeters |
Vocalists |
Vocalists |
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Arthur Brooks Danny Campbell Dave Ellis Mark Harvey Raphe Malik Gabriel Mervine Waldron Ricks Cicci Santucci (IT) John Schantz
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Arianna Aerie Brenna Bavis Katie Bull Miranda Butler (Haiti) Samirah Evans Kat Gang Lilly Bryant-Howard Barbara Holiday |
Sheila Jordan Kristin Korb Angela Lenard Bobby McFerrin Tyra Penn Libbie Jo Snyder Denise Thimes Sandra Wright Agnes Zsigmondi (Hun/Fr) |
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RECORDINGS
Transculturation. Private, 2010
Teaching the Eye to Hear: Reflections on Henri Matisse's Jazz, Northern Track, 2009
Dreams and Visions: Oikos Ensemble. The Abode, 2009
All That Jazz 2007, Live At Browne's Estate. Marble City Jazz Octet. Palms Records, 2007
Live At The Paramount Theatre. Marble City Jazz Sextet. Palms Records, 2007
Open Universe: Bakriges/Pelletier/Daggs. Northern Track, 2006
Wellspring: Oikos Ensemble. The Abode, 2006
Disciples of Cool Quartet. SimmerMusic, 2006
Live at Mo' Jazz Cafe/Trios and Quartets. Crawdaddy, 2006
Vicodin Dreams. The Reese Project. 95 North, 2005
Surface to Air: Trio with Denny Pelletier and Kazu Sato. Northern Track, 2004
The Vineyard Trio: Live at the 1794 Meeting House, Private, 2004
Quartet '˜Til the End of Time: Grassi/Wertman/Bakriges/Johannson. Northern Track, 2003
L'histoire de ma vie. Solo Piano. Northern Track Disklavier Project, 2002
Grassi/Wertman/Bakriges/Kohlhase. Private, 2002
The American Songbook, Interactions Ensemble.; Sound Design, 2001
Born Under the Sign of Cancer, United Nations Quartet. Vermont Jazz Center, 2001
The Magic Flowers, Critical Theory Trio. Toronto: Theatre Passe Muraille, 2001
'˜Round Midnight, Interactions Ensemble. Northern Track, 2001
Comin' Home, Robin Lloyd Quartet. Peru Records, 2000
Live at Weston Church, The Mark Harding Trio. Long Trail, 2000
Live at the Cybernet Cafe, Vols. 1-2, Chris Bakriges and Mauro Battisti. Private, 2000
Blessed Prince, Critical Theory Trio. Toronto: Music Gallery, 1998
Spiritual Unity, with Raphe Malik. Amherst: Eremite Records (compilation), 1998
Windows, Bakriges-Lulham Duo. Canadian Independent, 1998
Death By Jazz Trio: Live at Club Berlin. Canadian Independent, 1997
Anthony Braxton Double Orchestra. Milan: Soul Note, 1995
Anthony Braxton. Composition No. 17. Munich: Sound Aspects, 1994
Critical Theory Ensemble, Concert at Cubbon Park. Bangalore: CBS India, 1992
Critical Theory Ensemble, Istanbul Teknik Universitesi Vakfi. Kultur Ve Sanat Etkinlikleri, 1990
Jazz at the Rock, Vols. 1 & 2, Simon's Rock of Bard College Jazz Ensemble. 1990
Next Performance
I have the honor of working with the following artists in the Timothy To ...
on May 19, 2012 at 08.00pmat Timothy Touhey Gallery and Gallery East
Upcoming Events
- Saturday, May. 19 | 10:00 AM 81st Elms College Commencement
- Saturday, May. 19 | 08:00 PM Ken Lovelett Trio
- Saturday, Jun. 02 | 09:30 AM Professional Development Workshop for Composers 2012
- Saturday, Jun. 02 | 07:30 PM 21st Annual Underwood New Music Readings: Run-Through
- Wednesday, Jun. 06 | 01:45 PM Discover Jazz Festival, Jazz on the Marketplace




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